Lulu’s Studio

OLYMPUS DIGITAL CAMERANow that you’ve shared a bit of the history of weaving and been introduced to a variety  of looms, come on into my studio where there is quite a sophisticated setup.  The loom is a 16 harness, 60″ production loom designed by AVL in Chico, California.  With it, the design possibilities are limitless.

img_8625After years of struggling with graph paper and colored pencils, I now do all the preliminary design work on the computer which allows me to glimpse what the fabric will look like no matter what its color combinations and treadling order.  I can spend hours testing the variations and determining the integrity of the cloth.

img_4963When I am ready to weave, I choose colors from the vast array of fibers in the studio.

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I use primarily silk, rayon, perle cotton, bamboo and chenille threads because they are lightweight and drape beautifully.  There was a time when I dyed many of the fibers, but once I found a resource (Silk City Fibers) that had not only the ones I desired but a rainbow of colors, that step was eliminated.

OLYMPUS DIGITAL CAMERAOnce a design and colors are determined the hard part of preparing the loom begins.  First,  the warp threads are wound and placed on a warping board.

OLYMPUS DIGITAL CAMERAThen  they are threaded on this device

OLYMPUS DIGITAL CAMERAand wound onto the beam.  These are the easiest steps.

img_4956Now comes the hard part of threading the loom without making an error in the threading order that has been designed on the computer.  Not only does this take a lot of time, it requires intense concentration, no conversation or TV watching!  When I need a break, I’ve learned to be very careful to make note of the spot where I quit.

img_4421With the threading done, checked and rechecked, the warp is tied onto an apron and the weaving begins.  The computer is connected to the loom and a little black box reads the treadling order as I work the foot treadles and throw the fly shuttle.  In just minutes, I can see the results of all the preliminary work  which gives me such instant gratification.  And you can’t imagine the sigh of relief when I see that there are no threading errors.  Believe me, they show up quickly and after saying a few colorful words, there is no choice but to correct the mistake!

Many yards of fabric have come from this studio, and I haven’t even touched the surface of  creative possibility.  If you will come back one more time, I’d love to tell you the story of how I got into weaving and show you some of what has come off the loom.

i so appreciate your visit and the comments you leave behind